Satisfactory if unremarkable grind that’s possessed of a hardcore edge. The elements are largely rather stock, though the slower tracks towards the end and the weird 90s crust production job do at least give ‘The Dystopian’ a more individual sound. Conclusion: if I was five tins deep at a gig I reckon I’d be happy enough to nod along, but as a standalone proposition I can’t see myself returning to it anytime soon.
